(Guest Post on Sarah Johnson’s “Reading the Past” Blog 2013)
Sarah Johnson’s wonderfully written review of Inheritance, the first book in my historical novel trilogy, Southern Son: The Saga of Doc Holliday points out one of the challenges in writing fiction set during the American Civil War and Reconstruction: the difficulty of dealing with the “inherent racism” of the time. Although the Southern Confederacy was fighting for more than slavery in its war on the Federal government, the perpetuation of the “peculiar institution” was at the core of the fight. So a writer telling a story set in the Old South has to acknowledge the central issue of the era, even if that issue isn’t a central theme of the book.
It would be tempting to insert one’s modern perceptions into the narrative, commenting on or criticizing the racist attitudes of the times. Such editorial comment, however, puts a distance between the reader and the characters and detracts from the sense of time and place of the story. How, then, to accurately show the social ills of the Old South without seeming to approve of them? Without some negative commentary the story might seem to celebrate the institution of slavery.
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The Power of Point of View
The End?
Finishing the manuscript is just the start of the Business of Writing. (From a blog post for Bookmasters.com)
So you’ve finally finished your masterpiece, read and edited and proofed and reread the carefully typed manuscript, and now it’s ready for the two most wonderful words in a writer’s vocabulary: The End! And soon, you’ll be querying agents and sending off submissions, receiving an offer of representation, and watching a bidding war between all the top publishers in your genre. Hey, it could happen!
But before it does and before you type “The End” at the bottom of your final page, you’ve still got some work to do. Because finishing the manuscript is just the start of the business of writing. Now you have a synopsis to write, and you may find it even harder than writing the work on which it’s based. And doing it right may mean the difference between landing a book deal and languishing in the slush pile of an agent’s office. Even if you’re intent on self-publishing, a synopsis is elemental to the success of your book.
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